Monstera Deliciosa is an exhibition featuring the work of Otto Berchem, showcasing pieces from some of his earliest projects to his most recent. Through various media, including painting, photography, installation, and video, this exhibition delves into recurring themes in his art: codes, symbols

In this exhibition titled FIAT LUX, which in Latin means ‘let there be light’, the artist continues to reveal a series of elements that have gradually and consistently emerged over the years. These components—opacity, t

We are delighted to share the opening of Cristina Camacho’s first solo show at IV NY: ECHOES.This exhibition, which brings together Cristina’s latest works, revolves around noise and emptiness—two seemingly contradictory ideas that coexist in a profound layer of the artist’s experience.

 “No comercia con palabras, no trafica con sueños y está intocado por el tiempo” marca la primera exposición individual de François Bucher en Colombia desde 2015. En esta muestra, se presenta un grupo de obras que evidencian su proceso creativo de los úl

Formalism of Pirates is the first solo exhibition of Colombian artist Wilson Díaz in New York. Díaz, a key reference in the recent history of Latin American art, he has left his mark on the landscape of the visual arts of Latin America throughout decades of work as an artist, educator, and cultur

The concept of identity, as well as the structural boundaries of bodies and territories, has historically been established under political criteria that poorly represent natural relationships, collective memories, or generational traditions. The territory has been understood as a geographical spa

Scintillae on Earth is Carolina Caycedo’s first solo exhibition at Instituto de Visión, New York. This show proposes a review of some of her recent works that convey the ability to establish relationships and cooperation between all beings (animate or inanimate) that inhabit the pluriverse in mul

La Petit Mort proposes a dialogue between two female Caribbean artists, Maria Isabel Rueda (Cartagena, 1972) and Sara Modiano (Barranquilla, 1951-2010). Inspired by the idea that in the French language, the petite mort (or small death) is what the orgasm is commonly called, this show explores how

Baby Rock is both a legend and a symbol. The most influential figures in Latin American politics and entertainment lost their minds on its dance floor. It was an obligatory place to strengthen power relations while assistants watched the sunrise. However, this legendary nightclub is also the shad

Even though sleep is apparently a period of freedom, in which the laws and codes of the rational do not work, and it is the subconscious that manifests itself, it is still a territory of conflict and control. For different cultures, the dream world is a universe as tangible as the waking world wh

Las Furias marks Tania Candiani’s first solo show with Instituto de Visión New York. The exhibition will feature drawings, paintings, sculpture and video, which will be presented at the gallery’s location in New York. 

Candiani’s artistic pract

This exhibition brings together some of Roldan’s most recent works that allude to the possibility of creating a series of realities where poetry is the source of a utopian solution to contemporaneity.
Using different media ranging from performance, sculpture or print, Roldan’s purpose is to c

Colita de rana is the first exhibition of Cristina Camacho (Bogotá) and Ivana de Vivanco (Chilean Peruvian artist) at Instituto de Visión. From a conversation between the work of these artists, Colita de rana proposes different readings on the colony, the female body and utopia as a form of histo

Thanks to centuries of courageous resistance, the original peoples of the Americas have managed to keep alive the traditions and arts that constitute the soul of their communities. Dances, textiles, ceramics, myths and stories are all mechanisms that activate the collective and particular memory

Santiago Reyes Villaveces (b. 1986, Colombia) builds on the idea of grafting, an operation where living material is transplanted on to a new host. The exhibition presents new drawings, sculptures, and videos that investigate the colonial desires driving today’s space exploration. In 1973, Richard

Power Structure es una exposición colectiva que cuestiona los patrones conceptuales establecidos por los mecanismos de control culturales fijados por los discursos históricos. A través del trabajo de un colectivo y tres artistas, esta presentación encuentra diferentes soluciones a los problemas q

The exhibition Gente de Color (People of Color) articulates from the work of Alexandra Gelis (Cartagena, 1976) and
Carlos Martiel (Havana, 1989), it is a conversation that aims to find and point out different tensions that shape the region known as the Caribbean. This diverse, vast and confli

Bosque en llamas is the first solo exhibition of artist Nohemí Pérez (Tibú, Colombia) in New York. From an exhaustive work of documentation, Pérez activates her emotional memory to create a series of charcoal drawn and embroidered canvases that evoke Colombian nature. The forced displacement

Before the colonial genocide, Amazonian communities had the ability to transit between realities and travel through different dimensions through a highly sophisticated system of sciences, arts, and technologies. They lived in harmony with the laws of nature and thanks to their stable relationship

The exhibition “El deseo aparece de repente” presents the dialogue between the work of the artists Karen Lamassonne and Aurora Pellizzi, exploring femininity and sexuality from different perspectives. The exhibition includes a selection of photographs by Lamassone from his previously unpublished

Altar for Birds is an experiment that brings together several strategies to understand the patriarchal processes of colonization, domination, interruption, exploitation … as anti-ecological phenomena that respond to logics alien to the vital rhythms of nature, and therefore, are opposed to the ha

From its conception to its assembly, GALAXIAS is an exhibition conceived by Mexican artist Iván Krassoievitch as a series of reflections on language, characteristics, importance, complexity, musicality, materiality and plasticity, always taking into account that, like galaxies, each of the elemen

Both Gelis and Dieng Yancine embark on a historical journey that ignores chronological linearity to make room for an emotional interpretation of their personal memories, as well as the memory of the communities to which they belong. Both artists, nourished by the narratives of the colonial past,

This exhibition seeks to trace different relationships between the landscape and the body. In this the idea of territory and landscape, starting from the action of the body on the space.of the body on the space. It could be said that landscape is an artificial construction that seeks to modify th

There are two recurring themes that appear in Instituto de Visión’s exhibitions. On the one hand, the affairs of the body and its political presence in history and on the other, the territory. Both issues, equally important and transcendent, are approached form different perspectives by the artis

The culture of the ancestral peoples does not differentiate between the daily and the sacred, and therefore, between the artistic manifestation and the spiritual reality. The correct relationship between the invisible forces of nature and the proper use of its technologies is essential for the ba

EL Origen del Mundo is an exhibition that brings together the work of four Latin American artists with the aim of opening the doors to a multiple reality. The narratives that explained the origin and functioning of the material and invisible world, allowed the original cultures of America to comm

An exhibition that highlights the historical importance of art as an agent of reconciliation at critical moments. The exhibition features two special artists: Dan Perjovschi from Romania and Joe Broderick from Colombia, who use humor and satire to revisit the paradoxes in power structures. Joe is

Sheroanawe tells that in the jungle, the death of a tree is a moment of new life as its nutritious and beautiful fungi cover the trunk. Sheroanawe’s drawings represent the balance in the constant change of nature. Sebastián Fierro’s work shows how the body does not live in a permanent place, allo

The exhibition presents the work of four artists who explore the relationship between water and culture. The drawing “The Tree of Life and Abundance” by Don Abel Rodríguez represents the founding myth of the Nonuya people and shows how human constructions respond to culture and symbolic fabric. C

The new work by Santiago Reyes Villaveces, “Lo Bravo y Lo Manso”, addresses recurring themes in art, such as the presence/absence of the body, the materiality of the work and the judgment of opposites. It also focuses on the relationship between the world’s mineral system and the construction of

Oscar Murillo proposes a performative action that questions fundamental issues about work, femininity and violence in Latin America based on the proletarian novel “Parque Industrial” written by Gabriela Galvao. Wilson Díaz uses a comic strip magazine produced by the Colombian army to discuss thes

The exhibition “Deterioro y Poder” presents works by the artists Carmen Argote and Mandy El-Sayegh that reflect on the relationship between political territory and the body. Carmen’s work focuses on the transformation of a corrupted material, the avocado, into a metaphysical dimension through the

Bestias sin Nombres exhibition brings together the work of three Latin American artists whose practices play across the boundaries of classical forms to examine art history, the tools of power, and the resources of personal and collective memory. Manuela Viera Gallo focuses on her own dream image

Contemporary society is based on binary constructions that exclude intermediate processes and are violent. It is necessary to work with subjects that are not neutral and find a more revolutionary position. The culture has ignored its own mathematics, allowing a binary system to dominate hermeneut

We present an exhibition that explores the experimental work of Sara Modiano and the recent work of the duo Mazenett Quiroga. Modiano’s work, “Disappears a Culture,” is an early example of Colombian land art that uses natural forces as a metaphor for the destructive power of colonial discourses.

The exhibition “Desechas” is a dialogue between the Colombian artist Ofelia Rodríguez and the Mexican Pia Camil. Rodríguez, who is known for integrating literary elements from her region into her work, portrays transcendent moments of her experience with original logic. On the other hand, Camil r

The PODIUM exhibition reflects on competitiveness and speed in today’s world through the works of artists Beltrán Obregón, Luis Romero and Engel Leonardo. The artists question the cultural hierarchies and paternalism of one region over another, criticizing postcoloniality and the discourses creat

Mobilize is an exhibition in which Amalia Pica and Otto Berchem collaborate to create an installation from two pieces, Stabille and Revolver. Through a conversation, they reflect on the limits of a work, authorship and originality. The resulting installation, called Mobilize, captures a specific

This exhibition seeks to question the obsolete beliefs about the feminine and its relationship with the home and the family, understanding the home as a multiple and changing concept. It is important to reflect on the domestic to claim its meaning and question its negative connotations. We have a

The exhibition seeks to reflect on the relationships between the celestial and the terrestrial through the works of various artists. The project “Alien, the symmetry of chaos” by Daniel Santiago Salguero is the starting point to investigate the idea of ​​the afterlife from its esoteric and geogra

Nicolás Consuegra uses everyday elements to address topics of interest about space, the relationship between the functional and the non-functional, and visual perception. In “Planta libre” he focuses on the architectural paradigm of the same name, questioning the symbolic dimension of each one. I

Instituto de Visión presents for the first time the exhibition Mercurio frente al sol, a diverse body of work by artists Alberto Lezaca and Sebastián Fierro. The works are configured from the displacement of a material support such as the photographic record or the creation of spatial models on c

The exhibition focuses on four perspectives related to rituals, magic and mysticism from the Middle Ages to the present. The coven figure is one of them, which has been condemned by society as something demonic due to its spiritual nature and the fact that it belonged to the feminine order. The e

The “Entre Caníbales” exhibition offers an opportunity to reflect on colonization processes and their effects on human communities, nature and food. A specific example featured in the exhibition is the cruiser Lyubov Orlova, the final destination of which is unknown. For several years, this ship

Instituto de visión presents a dialogue between two artists, Miguel Huertas and Ana Roldán, who work with diverse themes and have reviewed their personal archive to explore the creative process. Huertas sees drawing as a layered object and an extension of himself, while Roldán reflects on duality

The “TXT” exhibition proposes to reflect on the tensions between contemporary art and the textile tradition, as well as on the socio-political implications surrounding the use of the body and clothing. The works included in the exhibition examine different aspects of these tensions. In addition,

The exhibition “Lo que el tiempo se llevó” reflects on memory and time through architecture and ornament, presented as ruins and structures that raise questions about the past. The exhibition includes works by three artists from different generations: Fernell Franco, Luis Ospina and Felipe Arturo

Cero Normal is a curatorial project by Magdalena Arellano that examines the commonalities between a generation of Latin American artists who use concepts such as territory, landscape, and representation in their works. The selected artists have in common that their creation processes are driven b

Instituto de Visión presents a collective exhibition in which different artists address the theme of temporality from different perspectives. The exhibition reflects on how humanity has understood and assumed time throughout history, from its own experience and each era has contributed a special

We present the work of Amsterdam-based Colombian artist Miguel Angel Cárdenas, who is considered a pioneer in electronic media, performance and installation. The exhibition “Calentamientos” is a selection of his works around the theme of human heat and raises daring problems related to sexuality,

Contramuro confronts the viewer with tensions created between the fragility and rigidity of materials, between order and subversion, reality and fition – offering a re-reading of the metaphorical and formal relation between structures of thoughts and the informality of sculptural and architectura

Instituto Visión’s Visionaries program begins with a tribute to women in art through the retrospective work of Alicia Barney. This pioneering Colombian artist in the visual arts explored practices that were not common in her country, such as ecological and environmental art. Through his works, Ba

Ana María Millán uses audiovisual images belonging to mass culture to review and reverse the exotic representation of the tropics in the global imagination. Often, the tropical landscape is portrayed in massive fictions such as cinema based on colonial notions related to Christian mythology. West