Pasos para trenzar un paisaje

Saturday 24 February, 2024 — Thursday 4 April, 2024
Ana María Millán, Carolina Caycedo, Francy Silva Zafirekudo, Karen Paulina Biswell, Arturo Alape, Camilo Pachón, Santiago Reyes Villaveces
curatorship: Maria Paula Bastidas

The concept of identity, as well as the structural boundaries of bodies and territories, has historically been established under political criteria that poorly represent natural relationships, collective memories, or generational traditions. The territory has been understood as a geographical space that must be conquered, fragmented, and divided, and its symbolic meaning and rights as a subject have been ignored.

 

The ways in which we inhabit a space and the relationship we have with our human and natural bodies are what allow the recognition of our territories. Every creation responds to temporary, geographical, and cultural contexts that allow the symbolic weaving of territories and communities to manifest. Like any tissue, it requires interweaving and care to trace stories, memories, and wisdoms.

 

In rural life, the term “combing a territory“ is used when one has come to recognize and traverse the places and areas that comprise it. The territory becomes a entity that must be explored and recognized in order to be inhabited. Braiding has also been a tool for transmitting stories and keeping generational memories alive. Combing, braiding, tracing, recognizing, and inhabiting; the territory becomes a tissue that must be constructed from the traces and memories that remain there, not from its divisions and hierarchies. Historical memories that represent the relationships between the modern and traditional, the ancestral and contemporary, and the popular and academic, maintain and give voice to the living memories of the territory.

Ana María Millán

Ana María Millán

Santiago Reyes Villaveces

Santiago Reyes Villaveces

Karen Paulina Biswell

Karen Paulina Biswell

A las espaldas, los sueños

A las espaldas, los sueños

Abrazo al final del día

Abrazo al final del día

“Boxeador” from the series “Los duros”

“Boxeador” from the series “Los duros”

Debemos marcharnos porque la noche puede caer en la vida

Debemos marcharnos porque la noche puede caer en la vida

“Duro tres miradas” from the series “Los duros”

“Duro tres miradas” from the series “Los duros”

“El beso de la ausencia” from the series “Las ausencias”

“El beso de la ausencia” from the series “Las ausencias”

Encuentro amoroso en la caracas con 19

Encuentro amoroso en la caracas con 19

Grito

Grito

Hombres corriendo sobre el cuerpo de la noche ( Manuel Ruíz)

Hombres corriendo sobre el cuerpo de la noche ( Manuel Ruíz)

La muerte del hombre al pie del barranco

La muerte del hombre al pie del barranco

Lejana mirada

Lejana mirada

Los encierros

Los encierros

Muchacha pensativa

Muchacha pensativa

Untitled

Untitled

Untitled

Untitled

Untitled

Untitled

Untitled

Untitled

Untitle

Untitle

Untitled

Untitled

Untiled

Untiled

Untitled

Untitled

“Bromelias” from the series “Agua”

“Bromelias” from the series “Agua”

El espiritu Africano y su raja en el espejo (Autoretrato)

El espiritu Africano y su raja en el espejo (Autoretrato)

Trinitaria (Autorretrato)

Trinitaria (Autorretrato)

3576 fragmentos de mar

3576 fragmentos de mar

Máscara 5

Máscara 5

Máscara 7

Máscara 7

Multiple Clitoris Iguazu Cataracts, Brasil / Paraguay

Multiple Clitoris Iguazu Cataracts, Brasil / Paraguay

Meandros

Meandros

Ojo

Ojo

Bebedero

Bebedero

Baile de z+k+

Baile de z+k+

En mis dibujos habite la casa de las arrieras

En mis dibujos habite la casa de las arrieras

From liquid to watery

From liquid to watery

Elevación

Elevación

Bogotá

Carrera 23 # 76-74

Barrio San Felipe, Bogotá

Tel. +57 (60) 1 3226703

Lunes a Viernes

10:00 am a 05:30 pm