Santiago Reyes Villaveces:lo Bravo y lo Manso

Lo Bravo y lo Manso brings together at Instituto de Visión (Bogotá) the most recent work of Santiago Reyes Villaveces (Colombia, 1986), whose concerns revolve around constant themes in art such as the presence/absence of the body, the materiality of the work, the consonance of opposites and, at the same time, deals with questioning issues as dissimilar as the system of the mineral world and its relationship with the construction of the sociopolitical history of Colombia.