MARLON DE AZAMBUJA ACERCA DE “CAMPO”, SU APETITO EN GENERAL Y LA IDEA DE ESPACIO FÍSICO EN LA CIUDAD

The first time I saw Marlon de Azambuja’s work was in 2007, after arriving in Madrid. At the time I was working in a gallery in the Chueca neighbourhood and one day, when I went out to eat, I saw a line of white dust surrounding the buildings at ground level. It was as if someone had taken the trouble to remind us, passers-by, that there is a non-place there that is not the building and, on the other hand, is not really the street either… A kind of enclave, a border between private property and the public domain (…)